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A Field In England. Fleeing from a battle in the English Civil War a small group of deserters are captured and forced to aid a search for treasure he believes is buried in a nearby field. The group quickly descends into a chaos of arguments, fighting and paranoia.
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A Field In England is the first film to be released in cinemas and on home entertainment formats, and broadcast on free-to-air television, on the same day. That represents something of a gamble by.
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A Field in England is a 2013 British historical psychological horror film directed by Ben Wheatley. The film, shot in black-and-white, is set during the mid-17th-century English Civil War. The film was released on 5 July 2013 on multiple platforms simultaneously, including cinemas, home media and video on demand.
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Welcome to a very special Guardian liveblog. In three quarters of an hour, Ben Wheatley's new movie A Field in England will premiere on Film4, on the same day that it's released in cinemas and.
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Official trailer for Ben Wheatley's upcoming film "A Field In England". More info on the official Facebook page: https://www.facebook.com/AFieldInEnglandUKEx.
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For sun, tennis or film launches, A Field in England is the place to be Top 10 suffer against summery competition, but multi-platform release for Ben Wheatley's civil war drama is hailed a success.
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A Field in England is a film exposed to the elements, shivering with fever and discomfort. Smiley is a great O'Neil, scary and commanding, while Shearsmith's Whitehead is hilariously submissive.
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1648. During the English Civil War, three soldiers (Richard Glover, Peter Ferdinando, Ryan Pope) and a scholar (Reece Shearsmith) find themselves away from a battle in a mysterious field where O.
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A Field In England tells the story of a group of soldiers (played by Reece Shearsmith and Julian Barratt amongst others) deserting from the tumult of the English Civil War and captured by an alchemist (Michael Smiley) who forces them into a hunt for a buried treasure. This simple set-up becomes the backdrop for one of the most powerfully hallucinatory film experiences since the days of Roeg.
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Ben Wheatley's historical drama "A Field in England," about a group of men wandering the countryside during the English civil war, is at once too little and too much. In the manner of certain bawdy, bloody works of 1960s and 1970s art cinema, not to mention psychedelic midnight flicks from the same era, it's all over the place and often seems.
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Two men capture a small group of deserters during England's civil war. After the captives ingest some wild mushrooms, they fall victim to the powerful energies of a mystical field. Genre: Horror.
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A Field in England is being released in theaters, on VOD, on DVD and on TV (the latter in the UK) at the same time, a rather bold distribution campaign that makes the movie's aggressively.
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Review: A Field in England. Having crossbred genres in his first three films, Ben Wheatley opts for temporal conflation in his fourth. Whereas he and his editing-writing partner Amy Jump touched upon British folklore in the contemporaneous Kill List (11) and Sightseers (12), they imbue their supernatural Civil War-era tale A Field in England.
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Synopsis. During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first.
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A Field in England (2013) is Ben Wheatley and Amy Jump's most daringly experimental yet overlooked film. As an alchemic potion of historical drama, psychedelia, formal experimentation, occultism, and folk horror, it eschews any basic generic classification. A Field is well on its way in establishing itself as a cult classic in all its.
